Mix enough diluted color before starting, and use a broad, soft brush on prepared damp paper. Work in connected horizontal strokes from top to bottom, catching the damp edge of the previous stroke. Keep moving until the area is covered; stopping midway can leave a hard boundary. Test the mixture first because its dried color may look lighter.
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Begin with a stronger strip of color at the top of the prepared area. Add a little water to the brush mixture before each following strip, slightly overlapping the damp edge above it. Continue toward progressively paler color without stopping to retouch drying sections. Practice on a small rectangle to learn the change in dilution between strokes.
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While the drip is wet, gently blot it with clean tissue or a cotton swab rather than spreading it. If the paper has started drying, let it finish, then cautiously dampen the mark and blot again. The pigment and paper affect how much lifts. Stop if the surface begins to roughen; repeated scrubbing can leave a worse patch.
Load a brush with paint, then blot away most of the excess moisture on a cloth or absorbent paper. Lightly sweep the bristles over textured paper so the color catches the raised areas and skips hollows. Try it for rough ground, grasses or snow effects. If the stroke becomes a continuous wet wash, reduce the brush load and test again.
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Apply a wash, sprinkle a little salt onto it while it is still wet, and let the area dry before gently removing the grains. Try several small samples with different moisture levels and crystal sizes to learn the effect. Salt changes the distribution of moisture and pigment; sprinkling it onto an already dry wash will not produce the same pattern.
Draw a few marks on dry paper with an unlit white candle, then brush watercolor over them. The wax repels the wet paint, leaving pale marks useful for sparkle or water reflections. Practice first because the wax marks can be hard to see before painting and are difficult to remove afterward. No heating or flame is needed.
They are different exercises. Tracing can explore an existing contour, while this exercise asks you to decide where that contour belongs on a blank page.